New York: It’s not just another outfit; it’s a legend in its own right.
When one thinks of the 1984 concert film “Stop Making Sense” by the Talking Heads, “Mr. Byrne’s Big Suit” immediately comes to mind. This oversized fashion statement took center stage during the “Girlfriend is Better” performance, and David Byrne humorously recalls the challenges of performing in such an ensemble. To many, this suit has become symbolic, inspiring artists from Miley Cyrus to Fall Out Boy.
However, Byrne is still somewhat mystified by its iconic status: “I have no idea why that (suit) became a thing.”
This concert film, now crisply remastered and set to be re-released, remains a seminal piece in the realm of music documentaries. Directed by the celebrated Jonathan Demme, it’s been hailed by many, including director Spike Lee, as the pinnacle of concert films.
The film’s vibrancy and electric performances are unmistakable. Key moments, such as Byrne’s effervescent rendition of “Burning Down the House” or his whimsical interactions during “Take Me to the River,” remain etched in viewers’ memories.
The joy is palpable for Jerry Harrison, the keyboardist-guitarist of the band. He recalls the fun they had on stage and praises Demme for capturing the essence of their performances. There’s a universal appeal to the film – it isn’t just about music but also about the sheer joy of performance.
Bassist Tina Weymouth adds her thoughts on the uniqueness of this film. Unlike many other documentaries that intersperse performances with interviews, “Stop Making Sense” chose to let the music speak for itself, making it a purer experience for the viewers.
Some of the most memorable moments feature Byrne, whether he’s dancing with a lamp or showcasing his signature moves. Byrne describes the experience as “surrendering to the groove.”
Another significant aspect of this re-release is the reunion of the Talking Heads. While the band members had their differences in the past, they now come together to promote a film that encapsulates a golden era of their careers. For Weymouth, it’s all about the music and the unique chemistry the band members share.
Chris Frantz, the band’s drummer, sums it up by highlighting the band’s legacy and the importance of this re-release, suggesting that the past differences are just that – in the past.